It’s a rare sight seeing a band completely transform after only releasing two albums prior and replacing your vocalist only to have it all turn out in the end for the better. Autotheism is The Faceless’ third full-length and first …
I popped in the American Me’s III into my CD player while in my car and just let it play. Though there is some quality throaty yells and great guitar riffs and solid drum work in this album. I feel it just …
Honestly when I saw in my email, that I was listening to a post-hardcore/electronic band called Everyone Dies In Utah, I was thinking not another one. But I had to put my reservations aside. This whole website is about letting …
In a scene where bands try to differentiate themselves from others, it is most important to leave an impression. Riff, Riff, Riff, Scream, Breakdown, just doesn’t cut it for most, and A Bullet For Pretty Boy fails to change up …
You’ve most likely never heard of Shinto Katana before but they’ve been doing the rounds of the Australian hardcore scene for a few years now, a somewhat silent figure in the scene overshadowed by more known bands like Parkway Drive …
Ever had too many drinks, woken up in a field surrounded by cows and goats only to be chased by a crazed farmer with a pump action rifle yelling, “Trespassers will be shoot, survivers will be shot again” this is …
It’s rather rare that a band who is often classified as indie rock catches my attention and keeps it held enough for me to care, but there is something about The American Scene who hit the scene (pardon my pun) …
Honestly when I got Constantly Repeating, there was no expectation at all from me. I have never heard of Carta Immense before and I didn’t even know what to expect from them, but as soon as the first track started I was …
Another day, another dollar for cash grab hipster label Rise Records. Instead of releasing an EP in true Rise style, Of Mice & Men sans Shayley Bourget (ex clean vocalist & bassist) have re-released their sophomore album The Flood with …
Handwritten is believe it or not The Gaslight Anthem’s fourth full-length, but first release on a major record label (Mercury for those of you playing at home). On their previous record American Slang (which was a major pinnacle in their career) it was obvious The Gaslight Anthem were going for a more American wholesome rock sound in the vain of the boss, Bob Dylan and just about any major influential artist attributed to keeping good old fashioned American rock alive and veering away from that pop-punk meets rock sound.
It appears as though re-releasing an old album with a couple of new tracks instead of an EP is all the rage these days. Just recently Of Mice & Men did the same thing re-issuing their album The Flood with …
I still remember when the debut record Atonement was released a couple of years ago from Your Memorial I was a little let down. The intensity of their live shows, the energy of their performance in a live setting just …
